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George Arliss (10 April 1868 – 5 February 1946) was an English actor, author, playwright and filmmaker who found success in the United States. He was the first British actor to win an Academy Award, as well as being the earliest-born actor to win one. ==Life and career== Born in London and baptised as Augustus George Andrews but commonly listed as George Augustus Andrews, his relatives referred to him as Uncle Gus. Arliss was educated at Harrow. He started work in the publishing office of his father (William Joseph Arliss Andrews) but left at age eighteen to go on the stage. He began his acting career on the stage in the British provinces in 1887. By 1900, he was playing London's West End in supporting roles. He embarked for a tour of America in 1901 in Mrs Patrick Campbell's troupe. Intending to remain in the US only for the length of the tour, Arliss stayed for twenty years, eventually becoming a star in 1908 in ''The Devil''. Producer George Tyler commissioned Louis Napoleon Parker in 1911 to write a play specifically tailored for Arliss, and the actor toured in ''Disraeli'' for five years, eventually becoming closely identified with the 19th century British prime minister. He began his film career with ''The Devil'' (1921), followed by ''Disraeli'' and four other silent films. Today, only ''The Devil'', ''$20 a Week'', and ''The Green Goddess'' (1923), based on the hit stage play in which he had starred, are known to have survived. He remade ''Disraeli'' (1929) in sound (and won the Academy Award for Best Actor), converting successfully at the age of 61 from a star of the legitimate theatre, and then silent films, to the talkies. Arliss made ten sound films exclusively for Warner Bros. under a contract that gave the star an unusual amount of creative control over his films. Curiously, his casting of actors and rewriting of scripts were privileges granted him by the studio that are not even mentioned in his contract. One of these films, ''The Man Who Played God'' (1932), was Bette Davis's first leading role. Until the end of Davis's life, she would credit Arliss for personally insisting upon her as his leading lady and giving her a chance to show her mettle. The two also co-starred in ''The Working Man'' in 1933. Arliss built a production unit at Warners' both in front of and behind the cameras. His stage manager, Maude Howell, became an assistant producer and was one of the few female film executives in Hollywood at that time. After his first three films, Arliss approved an undistinguished director, John Adolfi, to direct each of his films from that point on. Adolfi soon found himself regarded as a successful director of the critically and financially acclaimed Arliss films. Arliss preferred to use the same reliable actors, such as Ivan Simpson (who was also a sculptor) and Charles Evans, from film to film. Yet Arliss had an eye for discovering unknown newcomers, such as James Cagney, Randolph Scott and Dick Powell, among others. Despite his extensive involvement in the planning and production of his films, Arliss claimed credit only for acting. Working closely with Warners' production chief, Darryl F. Zanuck, Arliss left the studio when Zanuck resigned in April 1933. Zanuck quickly signed Arliss to make new films at Zanuck's fledgling studio, 20th Century Pictures, prompting Warners' to bitterly complain to the Motion Picture Academy of Arts and Sciences that Zanuck had "stolen" their star. Arliss is remembered primarily for his witty series of historical biographies such as ''Alexander Hamilton'', ''Voltaire'', ''The House of Rothschild'', ''The Iron Duke'', and ''Cardinal Richelieu''. However, he had a second string to his bow, a series of domestic comedies such as ''The Millionaire'', ''A Successful Calamity'', ''The Working Man'', and ''The Last Gentleman'', among others. He often appeared with his wife, Florence Arliss (née Florence Kate Montgomery Smith) (1871–1950), to whom he was married from 16 September 1899 until his death. They had no children, although Leslie Arliss, who became a prolific producer-director for Gainsborough Pictures, is erroneously referred to as their son in some reference works. Florence (or "Flo", as George called her) starred both on stage and in films (both silent and sound) with her husband and almost always played his character's spouse. However, that did not prevent Arliss from using another actress when Flo was not right for a role. Also, Flo turned down roles that George wanted her to play in some films. In 1934 British filmgoers named Arliss their favourite male star. Arliss was approaching 70 when he completed the British-made ''Doctor Syn'' in 1937. He and Flo returned to America later that year to visit old friends, including famed astronomer Edwin Hubble in California. Producer-director Cecil B. DeMille arranged for the Arlisses to re-enact their roles in ''Disraeli'' on DeMille's popular radio show, Lux Radio Theatre, in January 1938. The occasion was heralded as "a new page in radio history". George and Flo subsequently appeared on Lux in radio adaptations of ''The Man Who Played God'' in March 1938, and in ''Cardinal Richelieu'' in January 1939, which was apparently their final dramatic appearance anywhere. Returning to their home in London in April 1939, the onset of the Second World War prevented their return to America during Arliss's remaining years. The only taint of scandal involved charges by the British Government in September 1941 that Arliss had not complied with a recent requirement to report bank accounts he maintained in the US and Canada. (Similar charges were also brought against actor-playwright Noël Coward a few weeks later.) Both men claimed ignorance of the new law, but were fined and publicly humiliated by the experience. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「George Arliss」の詳細全文を読む スポンサード リンク
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